A campaign shot in one take for Vela
Four minutes, one camera move, eleven rooms, no cuts. The set was built as a single continuous spiral so the film could be the floor plan.
Vela Izmir 2024 film, identity
Vela's collections had always been shot room by room and cut together. We suggested removing the edit entirely, which meant the set had to solve the problem the timeline usually does.
Eleven spaces spiral into one another around a central column. The camera never reverses. Take 34 is the one that aired.
Set plan, revision 9
- Client
- Vela
- Direction & set
- WAID Studio
- Cinematography
- Placeholder
